Bob’s Radio Corner: Where it Began – The AM Medium Wave Broadcast Band

Copilot Radio, Model Unknown
The dial certainly has some problems, but the rich, Bakelite, art deco cabinet is superb.

By Bob Colegrove

One of the great attractions of the radio hobby is that it has so many different areas on which to specialize.  As examples, one can focus on a particular band, collect or restore radios, DX or just listen.  With so much to choose from, one can impulsively skip from one area to another.  I have tuned the shortwave bands for many years, but I also like the AM medium wave band.  If there is a purpose to this post, it is simply to bring some occasional attention to AM listening and DXing.  There is nothing new in what follows.

What’s in a Name?

To start with, this subject is somewhat confusing by calling it what we do.  There are at least three common terms for the electromagnetic spectrum between 530 kHz and 1700 kHz: 1) AM, 2) broadcast band, and 3) medium wave.  This poses an identity dilemma; that is, none of these names are exclusive.  AM defines a form of modulation, amplitude modulation, which is used in other portions of the spectrum.  The same may be said of broadcast band.  There are several international broadcast bands within the shortwave spectrum.  That leaves us with medium wave.  But that term lacks precision.  What exactly are the boundaries of medium wave?  Shortwave bands have relatively precise names related to their wavelength, 80 meters, 31 meters, etc.  Should we call medium wave the 176-thru-943-meter band, instead?  Let’s just stick with any of the old familiar terms.

In the Beginning

I’m sure many readers share the experience related here.  Even before shortwave there was medium wave.  Our initial encounter may have been with the monolithic, multi-band console radio in the parlor.  However, the house was likely home to one or more less pretentious table radios, which were limited to the medium wave broadcast band.  It all began with curiosity about what lurked in the relative space between the few local stations that played so clearly along the dial.  We likely found less listenable stations poking through in the inter-station space.  These were stations like our own in neighboring communities.  Then, at night, a strange thing happened.  Like stars in the sky, more stations appeared, some hundreds of miles away.  At the same time, some of the stations we heard during the day disappeared, maybe even a local station or two.

Well, one thing led to another, and soon we were keeping track of stations that we heard.  We took note of where they were located and their position on the dial using a new term called kilocycles.  The fastidious among us kept daily logs with dates, times, and reception conditions.  So, our DXing career began.

I came along a full generation after the advent of AM radio broadcasting.  In my early years, it was still the mainstay of public information and entertainment.  Television stations were beginning to pop up across the country one by one, and FM radio’s popularity was still a decade away.  Like any imposing distraction, there was curiosity in what was being heard and, in the case of radio, where it was coming from.

Our house was home to perhaps three or four AM radios.  At the age of seven, I was gifted of a 4-tube Sears Silvertone – mine to keep in my own room.  But the radio that really got me going came along several years later and belonged to my father.  This was a General Electric Model P755A, five-transistor portable.  Shaped somewhat like a lunchbox, including the handle, it was the quintessential portable radio that the world had been waiting for.  It ran for many hours off a single, but pricey 9-volt carbon-zinc battery.  There was purposely no provision to run it from AC power.  Also, it used an internal ferrite core antenna.  There was no jack or terminal for an external antenna.  Besides the tuning knob and volume control, it had a jack for a single earplug.  It was truly portable in all respects.  For all its simplicity, it did its job very well, and I borrowed it whenever the occasion presented itself.

Left: Silvertone Model 132.818-1, Sears, Roebuck & Co (1949, $11.95)
Right: General Electric Model P755A Transistor Portable (1957, $19.95)

As an only child, I was the sole recipient of any goodies that came along, and it wasn’t too long before I had my own comparable Westinghouse portable.  But the GE was really the one that got things started.

A Plethora of Stations

I have recently wondered whether shortwave use has contracted about as far as it can go.  This is not the case with AM, at least not yet.  The graph below shows the total number of AM radio stations in the US throughout history, 100 years.  The total has remained relatively stable since 1960, albeit with a slight downward trend from the peak around 1990.  Stations occasionally come and go.  Some rebrand with a different format or fresh call letters.  Note that the steepest rate of decline, 217 stations, occurred over the past five years, amounting to 4.7%.  Whether this rate of attrition will continue is a matter of speculation.

Medium wave DXing is a lot different than shortwave.  The density of stations will vary depending on what part of the world you live in.  Here on the East Coast of North America, the AM band is saturated with signals.  That is, with a suitable antenna, one can at least detect a station on each of the 118 available channels – certainly at night and possibly even during the day.  On the other hand, some years ago, I had an opportunity to visit Honolulu, Hawaii.  With little time to listen, I only heard a few of the islands’ stations but imagined what possibilities nighttime Dxing held.

Despite the density of stations on the East Coast, there will still be limits on the number of stations logged.  My experience is that initially the log grows quickly, then tapers off steadily as you go along.  Your time is eventually spent locked in on a local or regional frequency, waiting for something you’ve heard to fade out and something you haven’t heard to fade in.  In a previous posting, I worked the lower end of the band rigorously for some time, coming up with a fair number of catches.

Ten-kHz channel separation is the convention in Region 2, the Americas.  There have been some occasional anomalies.  Several years ago, there was a handful of so-called “split-channel” nonconformists, who placed their carriers midway between channels and presented an opportunity to log some hard-to-hear countries.  It was also possible to pull in a few very high-power European and North African stations.  This took advantage of the 9 kHz vs. 10 kHz channel spacings between Region 1 (east) and Region 2 (west).

Seasonal changes are also important.  Winter is the best.  Propagation is generally better and more consistent.  Atmospheric noise is minimal.  Local stations limited to daylight operation have shorter hours.  The gray hours around sunup and sundown can produce unusual DX conditions.

Programming

Programming has changed since the 1950s.  As the go-to medium for public information and entertainment, content was original and competitive.  Mornings were often filled with local DJs playing occasional songs and generally keeping listeners apprised of news and weather.  Traffic helicopters were still in the future.  The genre of soap operas was born and consisted of 15-minute, serialized dramas one after the other during the middle of the day.  Faithful audiences followed these melodramas for many years.  DJs took over the airwaves again in mid-afternoon and continued through dinner time.  Prime time lasted throughout the evening hours with regular drama, comedy and variety shows which were networked throughout the country. Continue reading

BBC Interval Signals – Then and Now

by Dan Greenall

A half century ago, the BBC World Service used a number of different interval signals.   A few minutes prior to the start of a broadcast, a recognizable, often repeating tune would be played that would enable listeners to more easily locate the BBC in a crowded band on a typical analog receiver.

A peek into the 1975 World Radio TV Handbook notes a few of these.  There was the Morse signal V (as in, V for Victory), primarily used for broadcasts to Europe.  It was also identified as 4 notes tuned B-B-B-E, and an example can be found on Jerry Johnston’s page of shortwave interval signals:

https://www.iaswww.com/swmp3/intervalsignals/simple_is.php

Next, a version of the children’s nursery rhyme “Oranges and Lemons” was used during the 1970’s, and I  have managed to save a recording of it here:

https://archive.org/details/oranges-and-lemons_202510

Then, there were the three notes “B-B-C” in tonic scale.  This was assigned to the World Service for Africa and other services.

Finally, though not listed in this edition of the handbook, was the highly recognizable sound of the Bow Bells. This one came into common use during World War Two when it was broadcast as a symbol of hope for the people of Europe.  At least one source states that the original recording was made in 1926, now 100 years ago.  Many recordings of the Bow Bells interval signal can be found online via YouTube.

More recently, many of the BBC World Service broadcasts seem to start up very abruptly.  An open carrier appears on the frequency to be used only minutes, or even seconds, before the program (already in progress) begins. One example is noted in this recording made on February 5, 2026, just prior to 2200 UTC sign-on, on a frequency of 11645 kHz.

However, two of the above-mentioned tuning signals appear to still be occasionally in use.  The three-note B-B-C was observed on March 4, 2026, at 0028 UTC on 7445 kHz. This recording was made through a Kiwi SDR on the island of Cyprus.

I also logged them using their Bow Bells interval signal on December 28, 2025 at 2358 UTC on 6155 kHz while listening on a Kiwi SDR in Thailand.  Here is how they sounded then.

As well, SRAA reporter Paul Walker noted reception of the Bow Bells back in September 2025 on 9410 kHz.  Follow this link to his report:

https://shortwavearchive.com/archive/bbc-world-service-carrier-and-interval-signal-september-19-20-and-25-2025?rq=paul%20walker

I would be curious if other listeners have heard any of these interval signals recently preceding   BBC World Service broadcasts.

BBC Seeks Shortwave Recordings and Listener Stories—Can You Help?

SWLing Post readers,

I’m currently helping a BBC reporter who is producing an upcoming program about shortwave radio—and she’s hoping to tap into the incredible collective knowledge and experience of the SWLing Post community.

There are a few specific things she’s still trying to track down:

  • Recordings of what was heard when stations like Voice of America, Radio Free Asia, or Radio Free Europe/Radio Liberty signed off. In other words, do you have final recordings for any of these broadcasters?
  • Audio recordings of a coronal mass ejection (CME) as heard on shortwave. I’ve heard this before–those broadband waves of fading–but I have no recordings.
  • Personal experiences of listening to shortwave while living in a closed or restricted country.

If you have recordings, firsthand experiences, or even strong leads, your contribution could help shape this program.

If you’d like to help, please leave a comment on this post–I’ll share your contact details with the producer.

As always, I’m continually amazed by the depth of knowledge and experience within this community—thank you in advance for any help you can offer!

Sunny Jim’s Trance Journey: April 2026 Program Schedule

My April programme is now available for your listening pleasure! 60 minutes of melodic & uplifting electronic based music tracks, which hopefully may persuade you that there’s more to music than the songs we already know! (assuming I haven’t already persuaded you…).

You can tune in via our normal relay partners – WRMI, Channel 292, RealMix Radio, Scandinavian Weekend Radio, & Chelmsford Community Radio. Schedule below. A good opportunity to test your receivers & chase the DX! All reception reports sent to [email protected] will receive eQSLs throughout April. Of course you can always cut out the static & fading by listening online at www.sjtjradio.com (but it’s not so much fun…).

This is my last programme for a while. As always the summer months bring me new projects to try, new places for us to visit, & old projects to continue (will I ever finish the decorating…), but I aim to be back on SW later this year.

Until then – Au Revoir…

Jim

NHK Closes Radio 2 After 95 Years on the Air

Many thanks to SWLing Post contributor Fred Waterer, who shares the following article from RadioInfo Asia that notes NHK has officially closed its long-running Radio 2 service as part of a broader plan to consolidate its radio operations and adapt to shifting audio consumption trends. While the AM-based service ends, much of its educational content will continue on NHK FM and digital platforms.

Read the full article here:
https://radioinfo.asia/news/nhk-shuts-radio-2-after-95-years-on-air/

Scott recommends the new Echo Global SDR iOS App

Many thanks to SWLing Post contributor Scott Gamble, who writes:

For the past several weeks I have been beta testing a new iOS app – Echo: Global SDR Receiver. Echo is the first SDR client custom-built natively for iOS, and launched today (March 31) in the App Store. I have found it to be a very capable listening companion and is very stable for long listening sessions spanning multiple SDR receivers.

Echo provides connectivity to over 2,000 remote SDR receivers (KiwiSDR, OpenWebRX, WebSDR, and FM DX), accessible by multiple search capabilities including a world map display, offline frequency library, station logging, and, owing to its native iOS development, features full background audio for uninterrupted listening. The iOS version supports both iPhone and iPad. More information is available at https://echosdr.com.

The App Store link is: https://apps.apple.com/us/app/echo-global-sdr-receiver/id6759174390

The developer, Mark Garrison, is very engaged with users, and there is an active Discord community of current Echo users.

Enjoy!

Scott
W5BSG

Thank you so much for the tip, Scott! 

We’ll have some fun when the clock strikes one

Greetings all SWLing Post community. This weekend, Imaginary Stations brings you another episode of CLOK, a shortwave tribute to time (not to be confused with Thyme). The first transmission is on Saturday 4th April at 1100 hrs UTC on 6160 kHz and then again on Sunday 5th April at 0900/1300 UTC on 6160 kHz and 2000 hrs on 3975 kHz/6160 kHz (via the services of Shortwave Gold). Tune into 60 minutes of songs that mention hours, minutes and seconds, ballads about watches, heartwarming tunes about clocking in machines and a lot more. Enjoying spending an hour with us on shortwave this coming 48 hours period we call a “weekend”.

If you tune into WRMI on Wednesday 8th April 2026 at 0200 UTC on 9395 kHz it’ll be the debut of Skybird Folk & Country Radio. If you like both those genres you are going to love this show. They’ll be a mixture of electric and acoustic tunes for your listening delight.

For more information on all our shows, please write to us at [email protected] and check out our old shows at our Mixcloud page here.

FastRadioBurst23